
ULURU
Bran Nue Dae - released 2009, official website and - Samson and Delilah by young Aboriginal filmmaker Warwick Thornton ... 'an extraordinary young filmmaker with a unique style and much to say. A very tough film. Watching it, I felt I was in the hands of a master, as I feel when I'm watch a Pedro Almodóvar film. Now I know that's big praise but I'm sure you would be profoundly affected by this film...'... and a small piece by way of notes for the talk I want to give between drinks at the Durrell School one evening next February on page 6 of the November Agiot and pleased to see Paul has posted my YouTube sketch of the Agiotfest09 evening on the home page of the event's website
Aboriginal aesthetic expression is in itself political, since Aboriginal culture has not 'learned' to de-politicise the aesthetic. Therefore, representations of landscape in a contemporary Aboriginal production such as Bran Nue Dae necessarily reflect a political rather than merely 'cultural' aspect of Aboriginality. The motif of the journey, too, by evoking what is in effect an Aboriginal political practice (the song cycle), also reflects an Aboriginal politics - what might be termed a politics of movement. (p.8)
"We're moving from known knowns, through known unknowns to something else. A political-management relationship, notwithstanding its universal features, is unique to the individuals and their setting. This is raw data. What are we seeing here? Observe, conjecture, discuss and comment. You tell us. Remember that 60% at least of interpersonal communication is non-verbal and the way words are said, rather than what's said. Remember too that when you comment on other people, you're also commenting on yourself."
- an interview on film with a lead politician and manager - ideally CEO and Leader (Mayor or President in Australia) - but also a choice of other working relations between a politician and a manager. This is to create training material - a film case study of leadership at the apex - but also to learn more about how, in that organisation, the relationship works between two specific individuals (being invited to do this is usually the open sesame for effective work, as avoiding it signals a difficulty that suggests alternative leverage, so long as someone wants to proceed)
- the collection of locally relevant critical incidents. This entails being told stories of dilemmas that arise, and redrafting them to contain the challenge without insensitively divulging specific personalities or identifiable events
- an overview of current codes of conduct in that council as they relate to member-officer relations
- the assembly of mapping kit for exploring the local political environment including passport sized portraits of councillors, a map of the council’s area showing electoral divisions, post-it noted for jotting issues arising in particular areas, a guide to the roles of councillors e.g. Mayor, deputy, committee chairs, and other CV notes about them in the public domain, and, vitally, one or more facilitators from the CEO down able to engage in responsible gossip about the issues and personalities inhabiting the council’s political environment.** ** ** John's use of the term mud-map took me to a process described by Pamela Croft in a 2008 paper by Bronwyn Fredericks:
The process maps out the connections to place revealing sets of relationships including the physical, physiological, social, spiritual and metaphysical. It also maps the botanical, colonial and the Indigenous layers of memories within the landscape sites. The tracks of animals and peoples, connections and relationships to spaces and places, symbols, patterns and colours are all recorded. It is all connected and we are connected. p.5 in Fredericks, Bronwyn L. (2008) Understanding and living respectfully within Indigenous places. World Indigenous Nations Higher Education Consortium Journal, 4(2008). p.5* * * We strolled later to the seafront for a delicious meal overlooking the azure blue sea of a place hardly 600 kilometres from the Equator. Among the jetty supports swam small sharks, crabs, a ray, and barramundi. A notice asked guests not to feed the fish or the crocs. The heat had a tropic solidity I preferred to the air-conditioned interior of the busy restaurant.
Dear Rachel and others. Hi from Australia – where I’m teaching. I took 6 of my Japanese students to visit the Walsall Road Allotments the other day courtesy of their secretary Betty. They are doing a fantastic job there, led by Betty, who is quite an exceptional person. I understand the city allows WRA to be self-managed, and self-managed they are. A positive haven of social activities around the core function of growing food and flowers.
John Bryden's talkIt pulled me up hard against the scale of the task that will face those finally arriving – we hope in early 2010 – to work plots on the new Victoria Jubilee Allotments. The city allotments section has been drastically cut back. The Birmingham Mail mention 65%. They’ve lost Eddie Campbell.So while I’m aware of the personal and social potential of a thriving allotments site next to Handsworth Park I’m also thinking of the work involved trying to imitate a site like Walsall Road or Uplands.By the way if you peer through the railings in the park at the right place you will see that the gardeners’ meeting shed has been delivered and seems to be in place. Apparently one of the bid delays at present is that the education department of the city is not ready to take delivery of the new cricket pitch in its current state. They’re wanting to delay hand over until the point where they have no immediate demands on budget to make the S106A green space 'fit for purpose'. Best wishes and I’m back Nov 28. Simon (Australia, Oct 24-Nov 28)
* * * There's a rumour that talented Penny Woolcock's film 1Day about the Johnson Crew and Burger Bar Boys, largely shot - yeah yeah - in Handsworth, has been banned from some Birmingham cinemas. Seems unlikely, unless publicists engineered attention to what looks like a blacksploitation film despite earnest assurances from Woolcock - a talent who's Macbeth on the Estate in Ladywood I really liked. She's been roaming Handsworth for a few years; suspect at first, then breaking through via a connection with Dylan Duffus, who'd been pointed in her direction by Vanley Burke: “The film shows" she says "how people get sucked into that life and it clearly spells out the consequences, which is people end up dead or in prison. The film absolutely does not glamorise that lifestyle. It has a clear moral message.” ... like Romeo and Juliet doesn't glamorise romance because they both die after being sucked into a passionate affair against their parents' wishes.
Writing - a link that goes to writing on Google.docstranscripts and films of political-management conversations
Dear Dhiaa. I've been in Australia for four days. When I was in Singapore for an hour on the way I went into the prayer room at the airport and they were kind enough to allow me to sit there. I made a prayer there for your safety and your family's when you return to your dear but troubled country for your Phd research. Our first seminar has just finished. It has been successful. It was strange flying over Iraq at 11000 metres the other night (see image on my airline seat screen). Kindest regards. Simon
Dear Simon. Great news indeed. Thank you for letting me know how things are going with you. I loved very much your idea of getting into the prayer room and praying to our safety. I thank you heartily and I am sure that your prayers will be accepted because they come from a loving, sincere heart. I pray that next time we both not just fly over Iraq but land there and have a wonderful time touring around different places and getting you introduced to a place you always wanted to see. Please, take care. My prayers and best wishes that your trip my be rounded safely and successfuly. Best Regards. Dhiaa
Dear Simon. How are you in beautiful Australia? We, Japanese trainees, are now trying hard preparing for our own next visit(s) and still spending nice time in Lucas House. Please don't worry. On the coming Thursday we're going to leave here for new destinations with splendid memories of Birmingham and this university. We really appreciate you, Fay, two Chrises(!) and other kind teachers/staff for giving us unforgettable, valuable days. And you really cared about us very much, so we could always enjoy our university life and learn a lot of things. Your lectures and talking will surely help us not only on our next visits but also in our lives in Japan. Thank you very very much!!! (And I also thank your daughter. who gave me really helpful documents!) ... Please don't forget us. Mari
Mami from Japan and Betty, allotments secretary
Dear Councillor. Please find ... details of the ... S106 agreement (in) Lozells and East Handsworth ward.Hamstead Road N/01514/03/FUL - Developer to construct a pavilion. Provision of affordable housing. £22,120 allotment money for the maintenance of 80 new allotment plots being constructed by the developer at the moment, with a view to commence letting in January 2010 - due on transfer of allotment land. £27,350 for the maintenance of public open space due on the transfer of the land.No land has been transferred yet to BCC. £150,800 Handsworth Park sum. £25,000 Handsworth Park play area sum. These two sums plus indexation totalling £191,482 have been received. Of this, £183,828 has been drawn down re. spend incurred at Handsworth Park. Please contact me if you have any further queries. If you require any detailed information regarding the open space projects please conatct Andy Hogben. Regards, Robert Thatcher. S106 Projects Team 0121 303 3654
Dear Martin. Many thanks for this information. I’ve put it on my blog and circulated it to as many as I can. I rather doubt that Robert Thatcher will tell us more than we knew when the VJA application received permission back in 2004. I do not expect him to tell us why there’s been such a long delay in delivering the allotments and the playing fields and indeed the city acquiring the land. The questions that remains unanswered are – among others - what penalty clauses for non-fulfilment are there in the S106 Agreement and who has the power to enforce those penalty clauses if they exist? The problem of the continuing delay exists somewhere at a higher level in arrangements between Persimmon Homes, the City Council Planning Department and legal services in the Council. We're constantly being placated by assurances which we have little alternative but to accept. We had assurances in May 2008 that the new allotments on the VJA would be ready by that Summer (see image and accompanying text):The developer had, at that time, assured the constituency planning officer, Alan Orr, that a ‘trigger point’ in terms of sale of properties, had been reached and the S106A should have been implemented shortly after. It was not. We could get nothing out of Alan Orr for several more months. That has been the pattern since. This year there were assurances of plots being available by late July/August 09. The City Allotments Department thought this was the case and, in good faith, circulated a newsletter to that effect.By August it was obvious the allotments were delayed again – and so we were informally told by an officer from allotments section who shared our frustration. Alan Orr was ‘summoned’ by ward councillors to report to the Ward Committee. On 23 Sept ‘09 we got the latest news – kindly passed on by John Tyrrell from you – that plots were delayed but should be available in early 2010. Only our optimism gives credence to this assurance – given the history of promises broken by continued delays. Plotholders on existing allotments are planting for 2010. Those who applied for and were assured of plots on the new VJA will miss this opportunity even if the latest promises are honoured. We thank you for your persistence in this matter. Finding out the reasons for these delays is important but not as important of getting the new allotments and playing fields up and working for the community. Kindest regards, Simon
Dear Martin. Is there any similar movement on the cricket facilities? Previous query on the quality of advice being given regarding laying of the square and the building of the pavilion had largely gone unanswered. Updated information would be very much appreciated. Basil Hylton, Chair of Handsworth Cricket Club
Dear Martin. I’ve been pushing the allotments, but as background to Basil’s enquiry, the S106A of May 2004 included the following:D. Planning Application No. N/01514/03/FUL – Victoria Jubilee Allotments ... approved under a Section 106 agreement to provide the following:• Eighty new municipal allotments plus an index linked payment of £21,000 towards their maintenance.• An index linked sum of £27,000 towards the maintenance of a play area and £25,000 in lieu of a second play area.• An index linked sum of £15,000 towards the regeneration of neighbouring Handsworth Park.• Two playing pitches and a cricket square plus a pavilion and car parking to the Council design.• The inclusion of twenty four affordable homes.Yours sincerely. SimonSimon BaddeleyHandsworth Allotments Information Group (HAIG)FOR INFORMATION ABOUT THE VICTORIA JUBILEE ALLOTMENTS AND TO GET ON THE SHORT LIST FOR A PLOT WHEN THEY BECOME AVAILABLE PHONE ADRIAN STAGG ON 0121 303 3038 allotments@birmingham.gov.uk*I assume the difference between the sums I've quoted from 2004 and those just quoted by Robert Thatcher are to do with them being index-linked. I haven't done the calculations.
Sent: Thursday, October 08, 2009 8:41 PM Subject: Victoria Jubilee Allotments Cllr Mullaney. The work on the site is progressing, and the building is due to be delivered next Tuesday, 13th October. We are hopeful ... given continued reasonable weather, that the site will be practically complete by the end of the month. Andy Hogben is working on an arrangement to allow us to begin letting plots in January 2010, so that the land transfer does not delay us any longer. As long as this is successful, we will begin notifying potential plot holders who have registered an interest towards the end of this year. We will keep you updated as matters progress. Regards, Pete. Sent from my Blackberry handheld.
As for the English countryside, I was simply amazed at the richness of nature and the style of peoples’ living. This is the first time I had the feeling of being in the thicket of a real forest.Trees and greenery everywhere, rivers and hills and people who are harnessing the wild nature to make their living. Frankly, it should not be a one-day visit. One must live for sometime in the countryside to be able to gradually regain his consciousness and awareness of nature. The first impression is that of amazement and shock especially for someone who has not seen a real forest before ( with every step I was saying in my secret “subhana Allah” – glory be to Allah; how great and magnificent His work is). I have seen high mountains and spectacular water springs in the North of Iraq; I have seen the great sea at the Giant’s Causeway in Ireland; I have seen the Dead Sea, The Nile, Tigris and Euphrates, and of course Shat al-Arab and the Marshes, and many farms and fields, but the experience of the English countryside was a unique experience.I have always wanted to see the English countryside and I had my own imaginative pictures of it; I am revising all these pictures now because reality sweeps away fictional realms.Maybe the pictures I had in mind of the English countryside are of what it was in the 1920s or a bit later; the impact of modernity and mechanization can readily be seen and felt on it; the virginity of nature may have been lost due to man’s interference and persistence in harnessing and nurturing nature. My earlier conceptions of the English countryside were formed by my readings and by seeing the product of the Romantic artists, for instance. Nature, I was thinking, is the idyllic world portrayed by Pope, Coleridge, Byron, Keats and all other poets who were inspired by its brutal beauty.I am sure you know what does it mean when you tread a route with the feeling that no one before you has trodden it. Well-trodden routes cannot arise in you the feeling of estrangeness and enigma that deserted routes can. I think nature – wild and brutal nature I mean – was not created to please. When I feel I am pleased in the midst of what is supposed to be nature, I feel immediately that there is something wrong. When calm and quiet, the sea is like a dumb child. When furious and turbulent, the sea gets back to its nature. So is the forest. There are people who love made-up beauty, with decorations and ornaments; and there are people who love brutal beauty. I am of the second type.However, I am extremely pleased to have gone there and would love very much to go again and again; I would love to take my family one day, it is a place full of beauty. So, thank you very much again for your great company and your kind invitation.