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| Digbeth Coach Station |
I sipped very hot coffee served from the passing trolley, now and then snoozing, languid, enclosed in a muffled turbine drone; waking to adjust my growing warmth by twisting on the blowers above our seats. I leaned apologetically towards the stranger in the aisle seat to rise, unfolding myself to walk to the tiny WC. ‘Oooooff’ goes the powerful vacuum of the flush. I fiddle with a dolls house tap to wash, extract a tissue to dry my hands, click open the little door, process between a hundred fellow passengers to make another small apology to resume my seat. I turn my watch forward two hours. Our pilot announces we're crossing the sea from Croatia to Corfu, as the plane tilts through clouds. Beyond the the brighter beam on our wing, tiny lights appear. We descend from the north, avoiding the circle over Mouse Island and Kanoni, gliding instead over Potamos Bay, low over Mandouki and the city maze, familiar streets passing swiftly below, our plane yawing in gusts from the brisk almost balmy south wind that streamed out our hair and coats on the steps of the plane...
“Hullo Corfu” said Lin as she drove by the
floodlit Palace of St Michael and St George “It doesn’t feel like only a month
away”
“We had lots to do. It’s so good to be
out of the cold”
The airport was well behind us, its entry and
exit familiar and easy; our car ready for us, Yianni helping load our bags.
“I might have offended Yianni” said Lin “comparing
his prices with Fairdeal”
“I’m not surprised. Their website's called
Corfu Cars Rental. His is Corfu Car Rental. They’re elbowing.”
“Talk to Sophia” Yianni said after Lin, thinking
it too high had suggested adjusting his quote for the larger car we’ve booked
for when Amy’s here and needs a baby-seat for Oliver.
I enjoy seeing Yianni, often with his son, waiting
for us at arrivals, with minimal paperwork and a car to go, and his wife Sophia
on the end of the phone and answering Lin’s emails.
“He’s such a really nice and helpful man” I said
“and remember his support when I drove off the road a couple of years ago”
“”He’s in business” says Lin “and being there to
meet us personally is why he’s good at it. He’s probably got the most cars on
the island. I don’t want to offend him either.”
“Don’t forget the clocks go forward here too”
Yianni had reminded us.
We drove, watchful for potholes, the familiar route – past the floodlit fort, past the port beneath moored ferries whose names we know, through Mandouki to the brightly lit motorway, then 8 kilometres past Kontokali and Gouvia to Tzavros junction; four kilometres along the dark dual carriageway towards Paleokastritsa, then right at Doctor’s Bridge on the smaller road to Sidari, two more kilometres to our turn, along the country road that winds the final two kilometres up to the village. We see a gathering outside Stammatis’ converted shop, now his café, and then while we stop at the top of our steps I’m unloading our bags, keys ready, carrying them into the house, water on, lights on, settling in while Lin parks a few yards up Democracy Street and walks back to join me.
We drove, watchful for potholes, the familiar route – past the floodlit fort, past the port beneath moored ferries whose names we know, through Mandouki to the brightly lit motorway, then 8 kilometres past Kontokali and Gouvia to Tzavros junction; four kilometres along the dark dual carriageway towards Paleokastritsa, then right at Doctor’s Bridge on the smaller road to Sidari, two more kilometres to our turn, along the country road that winds the final two kilometres up to the village. We see a gathering outside Stammatis’ converted shop, now his café, and then while we stop at the top of our steps I’m unloading our bags, keys ready, carrying them into the house, water on, lights on, settling in while Lin parks a few yards up Democracy Street and walks back to join me.
“Let’s go to the café”
We stroll a few yards and are brought
drinks, chairs and a table and greetings, Fote, our neighbour and his daughter
Dimitra, and villagers we know and others I’ve not met. In minutes we are
engrossed in a discussion with Marie-Elena about the complex contradictory economy
of olive trees, her expertise - just graduated - as an agronomist, and with
Yianni, Stammatis’ kombari who commutes between here and his business in
Bristol, telling me things he likes about England like motor-racing and the scent
of high octane fuel. Later light rain returns but I was warm.
*** ***
Next morning, as expected, the landscape was all
mist and rain. We lingered late – by Greek time now three hours ahead of our
body clocks – in the cosy bed in the dim light through half a shutter as the
rain continued. Later we finished unpacking. The rain stopped. Swallows, just arrived, dash around the houses. We begin tidying. I scythed the damp
burgeoning greenery along the path below the house. We inspected the apothiki, cleared
at last of rubble, its floor flat, tamped down, ready for concrete. The rain
began again.
Down at Ipsos, to check email and make phone calls, three propped the bar below a big flat soundless screen, a ribbon of breaking news from England – manslaughter on an estate and celebrities on a carpet; rain driving in swathes across the grey Sea of Kerkyra, mist coating the grey slopes below Pantokrator - a Giles cartoon of a British holiday abroad. Our day passes almost unheeded. At night we have a light supper and watch another strange low-budget Greek film – Alps Αλπεις; directed by Yorgos Lanthimos; striking scenes inconsequentially connected with at least two indefinite plots involving a young gymnast under the dominion of her coach and a nurse informing the parents of a daughter killed in a road crash how she intends to take her place, the cast switching in and out of character, sometime acting, sometimes rehearsing.
“I’m none the wiser” I said at the end “but some of those scenes are going to stick”
“And it makes Dogtooth and Tsangari's Attenberg look easy”
My reading is no less perplexing. Youcenar’s book on the plane mingled dream and reality, lyrical and literal, interior monologue and tense conversation. In pursuit of police procedurals from different countries I’ve stumbled upon a bizarre book written to get subversion past the censorship of Ceaușescu's Romania – Attack in the Library by George Arion. written in 1983, an ill-formatted English version published in 2011. Layerings of necessary, and now dated, verbal camouflage place its humour beyond translation as though I was trying to watch a risqué stand-up through steamed double glazing. Daring thrusts and quotable asides go unappreciated. What’s more useless than a quip that needs a footnote? I suspect the jokes on me for even trying to attend the show, but I’ll persist. Barely comprehensible art remains in my mind as a phrase or an image when other more readable works have gone down as easily and enjoyably as a good meal.
Down at Ipsos, to check email and make phone calls, three propped the bar below a big flat soundless screen, a ribbon of breaking news from England – manslaughter on an estate and celebrities on a carpet; rain driving in swathes across the grey Sea of Kerkyra, mist coating the grey slopes below Pantokrator - a Giles cartoon of a British holiday abroad. Our day passes almost unheeded. At night we have a light supper and watch another strange low-budget Greek film – Alps Αλπεις; directed by Yorgos Lanthimos; striking scenes inconsequentially connected with at least two indefinite plots involving a young gymnast under the dominion of her coach and a nurse informing the parents of a daughter killed in a road crash how she intends to take her place, the cast switching in and out of character, sometime acting, sometimes rehearsing.
“I’m none the wiser” I said at the end “but some of those scenes are going to stick”
“And it makes Dogtooth and Tsangari's Attenberg look easy”
My reading is no less perplexing. Youcenar’s book on the plane mingled dream and reality, lyrical and literal, interior monologue and tense conversation. In pursuit of police procedurals from different countries I’ve stumbled upon a bizarre book written to get subversion past the censorship of Ceaușescu's Romania – Attack in the Library by George Arion. written in 1983, an ill-formatted English version published in 2011. Layerings of necessary, and now dated, verbal camouflage place its humour beyond translation as though I was trying to watch a risqué stand-up through steamed double glazing. Daring thrusts and quotable asides go unappreciated. What’s more useless than a quip that needs a footnote? I suspect the jokes on me for even trying to attend the show, but I’ll persist. Barely comprehensible art remains in my mind as a phrase or an image when other more readable works have gone down as easily and enjoyably as a good meal.
*** ***
On Monday the sun came for long intervals. I and
the ground and the house basked in it, almost drinking its direct warmth. Even
so it was a flirtation of light and shade. Over Ano Korakiana clouds form at
the edge of Trompetta Ridge, which rises behind the village as three dramatic crags. Even as the sun
burns the clouds away they remake themselves, placing us in temporary shadow
while the valley below, beyond the vapour line, is bright with sunlit
greenery. I peer through half-closed eyes at the veiled dazzle, watching the
sun’s trajectory behind a passing cloud which keeps reshaping itself to block
the full beamed light which, when it comes at last, is like an embrace.
**** ****
Dave phoned for me to come down to the shore and
see progress on Summer Song. The road to Ipsos is still full of potholes – even
larger than in January. The harbour is washed and damp. Our boat sits
beside a wide clear water stream washing to the pebbled shore, her hull smooth
painted and anti-fouled. The new engine and its controls are neatly in place, but for gears. The electrics are diagrammed and enclosed with batteries now
inside the cabin, protected. There’s a new propeller, and a new coolant inlet sea cock.
Dave made me a cup of tea – “Yes the stove’s reconnected with gas in the
stern locker and electric pump for the sink tap." We sat in the cabin as
he took me over next steps, renewing the cabin sole and roof, sanding and
reshaping the teak strake, replacing the cockpit locker lids, painting the
deck. I can hardly take this is in. We waited so long to make our boat
workable again.
“We should have done this when we arrived in Corfu in 2006” I said.
"Except for the cost, none of this is real” I thought “and it won’t seem so until I’m at sea again.”
“We should have done this when we arrived in Corfu in 2006” I said.
"Except for the cost, none of this is real” I thought “and it won’t seem so until I’m at sea again.”
*** ***
As the sun persisted Lin and I went for a walk
up towards Venetia, descending the steps at San Jacobo we met an old lady who
picked some flowers for us to take to her friends Lefteris and Vasiliki “from
Anastasia”. We chatted as we walked
“Spring is earlier here, but even here the weather's delayed it”
The oranges are still on some trees even if the olives are gone. The vines look dead but everywhere there are buds; sometimes tiny shoots.
“The Judas blossom’s the most visible but even that’s delayed. Look at the green on that tree!"
Along
the lower road the puddles are wide. Soaking in warmth we stroll back into the
village along National Opposition Street, no-one to be seen and only the rare car. There
are often graffiti in the village, usually political - for ND, KKE, PASOK and
now SYRIZA....
...but on a wall below the road there’s a swastika sprayed
in red and the stolen Greek key pattern symbol of the 'eggvolk' - Krysi Avgi,
Χρυσή Αυγή, Golden Dawn, a pictorial anagram of the Nazi icon, and, to make the point, the
initials AK, repeated on a circular roadside mirror at one corner for all
passing by to see, and again on the wall at the start of the path up to our house.
“Spring is earlier here, but even here the weather's delayed it”
The oranges are still on some trees even if the olives are gone. The vines look dead but everywhere there are buds; sometimes tiny shoots.
“The Judas blossom’s the most visible but even that’s delayed. Look at the green on that tree!"
“How can he bear to leave those there?” says
Lin, nodding at the windows opposite
“They’re fresh”
From home she makes up a small tin of white
paint. We put it in a plastic bag with a scraper and wire brush.
The grubby
symbols are soon disappeared, even from the mirror though that takes a little
more elbow, scrubbing and scraping and repolishing.
*** *** ***
Paul came round as promised to adjust the
pressure of our water. Our dial read between 7 and 8.
“I’m surprised something didn’t blow. That’s far far too high” he’d said when we were here in February. He played with the sprung nut by the mains tap until the flow seemed right indoors.
“I’m surprised something didn’t blow. That’s far far too high” he’d said when we were here in February. He played with the sprung nut by the mains tap until the flow seemed right indoors.
“I’ve left it between 2 and 3 bar. See if that
works.”
We’d been getting drips from the safety valves
below the water heater whenever it was turned on.
“I think that’s sorted” I said after a while
“Say nothing” said Lin.
****
Wednesday was cloudy with wind and sun. I could put washing out and do odd jobs, in this case reseating a trio of cheap but sturdy wooden chairs, to which Effi has added a small bench she wants repaired. I’ve just taken it all apart, to be sanded and restored using glue on the joints and screws in place of its rusty nails. For this small task Effi brought over a gift - socks and a T-shirt for Oliver.
